Claude Lévi-Strauss – Legend in Anthropology

December 1, 2009

What makes us similar despite a spot on the map, era or notion of modern conveniences?  Perhaps we are hardwired to always use stories to explain what we can’t understand?  Perhaps we have consistent routines, consistent family dreams and the same basic needs.

Claude Lévi-Strauss spent years searching for the similarities and differences between the ‘civilized’ society and the ‘primitive’ society.  In reality finding more similarities than differences.

He recently passed away almost reaching 101 years old.  Reading the commentaries on his passing, I thought a remarkable person has departed.  He risked to discover how human beings function and live.  Are people really different?  I was sorry I never had the chance to hear him speak and learn from him in person – so his books will now be added to my reading list.

I was struck by his research and findings from the 30s.  I found a common curiosity in my own travels that when all is said and done, we are all the same.

When I visited the Maka Indian reservation in Paraguay – so many elements could be translated to another location around the world.  Starting with the bus driver who strongly objected to letting me and my friend off the bus in a remote area for fear of the boys who cause trouble.  After being on the rattling bus for almost an hour, it was hard to give up at this point – so we continued.  Following the bus driver’s directions, we walked along a lonely path filled with chickens, wild pigs and monkeys in the trees.  No troublesome boys to be seen.  In fact no one to be seen.  It was an unusual quiet and silence.  Walking into the unknown is act of faith, I discovered.  Silence, just our footsteps crunching on the gravel until we found a wooden sign tacked on to a tree saying MAKA.  A fence but no gate.  We entered and found a family outside their simple home and children on bikes.  A whistle sounded and traveled up the hill.  Within minutes, a strong man walked with authority down to meet us.  He was the Maka Indian medicine man – really the ambassador welcoming us to the reservation.

During the tour, he showed us the school house, the outdoor shelter where the men gather and another area where the women congregate and share whatever food they have been able to obtain.  When I asked if he would show me some of his medicine techniques, he politely said, “No, it is only for those who believe.”

When I consider urban modern settings I am reminded that families choose their home for the school district; men and women do naturally congregate separately;  and there is certainly an advantage to getting better if you believe in your doctor and the prescribed treatment.

When I photographed the Maka Indian elders’ feet, I was struck by the contrast of bare feet next to feet protected by New Balance sneakers.  We are so far away and yet so connected.

After thanking the Maka leader, we headed back down the hill, along the lonely path and back to the bus stop – or at least hoping it was the bus stop.  It was as though we had entered another worldly dimension so similar yet so different.

Claude Lévi-Strauss continues on despite his death.  Am thankful to learn from this extraordinary curious anthropologist now through his books.

By Keri Douglas, writer/photographer, Washington, D.C.

Read more at:

New York Times

New York Times – 2

New York Times – 3

New York Times – 4 Slide Show

The Economist


Don’t Postpone Joy

November 29, 2009

Laurey's Catering, Ashville, NC

Ashville, North Carolina  A small town with a big message, “Don’t Postpone Joy.”

Laurey’s Catering is the example of the saying, ‘it takes a village.’  A family has been created through this business to include all of the employees, the surrounding community, young and old, the local farmers, the local artists and even the human society.

Laurey’s Catering is also supporting little Henry who is going through some serious health treatments, which recently included a bone marrow transplant.  On November 8th, Laurey’s Catering hosted a pancake breakfast to support Henry’s family.  Then on November 11, in honor of little Henry, the entire town donated 11% of the sales to support Heny’s health care costs.

When a business sets the example of how life should be a world of difference can happen.   A small child vulnerable to the world around him is teaching people how to live life.  To follow little Henry’s progress, go to Caring Bridge.

To follow an inspiring business owner, sign up for Laurey’s Cafe’s newsletter at www.laureysyum.com.  It is filled with stories on food, nature and local perspectives.  It is a glimpse into a world filled with hope, optimism, appreciation and ultimately, joy.

By Keri Douglas, writer/photographer, Washington, D.C.


Dream and Do

November 28, 2009

Often when I speak with students, I discover they are searching for their own path as much as anyone else of any age.  Humbled, I realize and say, “Dream and do.”  Every dream has potential when you put a little energy into it.    Make a list of dreams, learn what you need to learn to do it and then as each dream is realized – cross it off and then keep adding to the list.

I recall meeting Steven Spieldberg at an awards dinner in Los Angeles years ago.  I asked him, “How do you create?”  His answer was, I dream and then I do it.

Premier gifted athletes tell of visualizing where they want to go, tirelessly training and then trying their best.  Sage advice follows, don’t be afraid to fail.  Failing is just another way to make adjustments to your training.

When Betrand Piccard speaks of his successful journey around the world, he starts with his previous failed attempts.  His dream to be the first to fly around the world in a balloon was so strong, that he kept trying.  Success was achieved on the third attempt with Brian Jones as his partner.

Thomas Friedman recently wrote, “societies that can nurture people with the ability to imagine and spin off new ideas will thrive.”  His New York Times column of November 21, 2009 shares a global perspective of the value of imagination, creativity as well as social responsibility.

Extraordinary people dream, learn and then do.

By Keri Douglas, writer/photographer, Washington, D.C.


F-11 and Be There

November 22, 2009

Photography is powerful.  One image can change the world, evoke tears, spur a laugh, imagine a unknown part of the world or a moment to pause and reflect.  How the photographer creates the story is just as important.  Photographs many times are reflections of the photographer’s emotions, dreams and knowledge.

Recently I was asked by students at a journalism conference, did I know I wanted to be a photographer when I was their age.  Certainly not.  But, I did know I appreciated art and the visual aspect of telling a story.  I also knew one photograph could transport you to another part of the world or even into another era.

I remember being enthralled with an exhibit of photographs by Alfred Stieglitz at the National Gallery of Art so many years ago.  His ability to capture the warm glow of a street lamp in the snow in New York City is embedded in my mind.  The National Geographic image of the Egyptian standing in sneakers smoking a cigarette at the pinnacle of one of the pyramids still brings a sense of awe of the casualness yet powerful view from the top.  Old, brownish postcards of lost destinations make me dream of of times past and bring a smile to my face.

And, then the powerful Associated Press photograph by Eddie Adams of the South Vietnamese police chief shooting the Viet Cong prisoner in the head on the street – which is attributed to changing the political dynamics of the Vietnam War.  Even today the power of the photographs of the prisoner abuse in Iraq and Afghanistan shatters even the best laid political plans.

Photographs of the civil rights movement in the United States are powerful realities shocking to the very core of any sane humane individual.  Jim Wallace, now retired director of the photography department at the Smithsonian shared a few old images from his archives for an exhibit at the National Press Club last year.  The images were of the North Carolina sit-ins in 1963.  Risking financial ruin and failing out of college, he photographed the demonstrations around him before the local papers or even national papers would cover the historic events.

Breaking tradition, the civil rights exhibit was held in March (not February Black History month) because the images were filled with white, black, young, old and absolute hate revealed in KKK rallies of both men and women.  These photographs reveal American history.  After the exhibit, I asked Jim what advice he had for young photographers.  Jim said photographers should study art for the composition, the style, the use of light and even the subject matter. He also said, “F-11 and be there.”  Which he explained  - before automated cameras, F-11 – was the just in case setting. Show up, take the photographs.

I asked the the students who mostly work on school newspapers and year books, which photographer(s) did they admire.  The students responded with Ansell Adams, sports photography, fashion photography, cultural and National Geographic images.

Photographers who have inspired me include Irving Penn, Joel Meyerowitz and Betrand Piccard and Brian Jones who took aerial photographs of the earth as they traveled around the world in the balloon.  I also think of Washington Post reporter Pamela Constable’s photograph of an Afghan family re-settling into a bombed out home with their belongings surrounding them and in the center an old bird cage with a bird sitting quietly inside.

F-11 and be there – always.

By Keri Douglas, writer/photographer, Washington, D.C.


Art as a Peacemaker in Afghanistan?

November 22, 2009

Bird Dove BlueImpossible to imagine that art could possibly be a mechanism to bring peace and prosperity to the Afghan community.  However, in the midst of war, terror by local militia, food shortages, domestic violence, artisans are finding peace and hope by crafting silk scarves, jewelry and even modifying traditional tent lining felt into home interior products for the American market.

Rameen Javad, founder of the Afghan Communictor, is tirelessly reaching out to anyone who will listen to do business with the Afghan artisans.  On a visit to Washington, D.C., Rameen took the chance to introduce his products to the manager of the Freer Sackler Galleries of Art gift shop.  With the curator’s approval, Rameen received an order for hundreds of products made by Afghan artisans.  Rameen has created a successful link between Afghan artisans and the American market.  The Freer Sackler Galleries of Art shop hosted a trunk show and now is selling items on their web site. Luxurious silk, felt and jewelry items are for sale. Rameen urges people to know that by purchasing just one item they will make a difference in the life of an Afghan artisan and create a little bit of peace.

Often we may look at the label where a product may be made, but often how does one ask who made this product? Rameen described one artisan and how doing a fair business changed his life.  He wrote, “Whenever I remember a certain master artist who lost his young wife to a road accident but was able to save himself and one of his children from death through the sale of his works, it brings me satisfaction to continue my volunteer work for the artists. Still recovering, he moved me when he told me that my assistance has made him believe in his craft and he is eager to get back to work. After months of physical therapy, losing his home and counting on family to take care of him and his two children, he finally was able to buy a house, remarry and produce even better work that is still unrivalled in Afghanistan.”

Why is this important?  This relationship is direct, accountable and transparent.  If we could create more relationships like this perhaps our discussion on foreign aid would include more open market opportunities; job opportunities with a fair wage; and ultimately more human dignity and respect.

In the news today, the discussion is on whether the US should send more troops or not or what to do with foreign aid.  Are we really looking at the problem the right way?  The Afghans are outraged that the international community promises so much money to aid Afghanistan, knowing that most of the money never enters Afghanistan.  Most of the money is paid to donor country aid agencies, supplies, administration and security.  A mere fraction of the aid actually spurs the Afghan economy whether for jobs, products or infrastructure.  On the other side, the international community is demanding accountability, transparency and less corruption.  Perhaps foreign aid should be used to stimulate the local economy instead of the donor country economy.  Perhaps by successfully energizing the local economy there would not be the insecurity and desperate need for security.  I would be curious to know the cost benefit analysis on potential results if the available funding for the military and aid was used instead for boosting the local economy.

Rameen is passionate about his strategy to support the Afghan artisans and their families.  He wrote earlier, “With love for Afghanistan, understanding and respect for people’s needs and very limited resources, I have managed to revive an industry to a certain extent. I am not alone in this, but my work more then feeds people, it revives a lost prestige and a lost profession, it revives the culture of Afghanistan and it brings independence and dignity to people. To those who believe in more troops, more money and more experts, I say to come and see my example and see how easy it is to save Afghanistan. If you empower people who have done something in the past for Afghanistan and who care about Afghanistan and its future, then with limited resources they will change this country. Afghanistan was ran by Afghans for five thousand years, thus the only people who can save this country are those who care for it and have contributed positively for Afghans and Afghanistan in the past.”

In my opinion, Rameen and the Freer Sackler Galleries of Art are peacemakers and should be recognized as such.  In addition, anyone who makes a purchase of one or more of the items should be honored as well.  This cycle of fair business is what makes this world a better a place.

By Keri Douglas, writer/photographer, Washington, D.C.

See in Ode magazine Exchange.


Preserve History or Invent the Future?

November 3, 2009

The ever present cultural divide in any society of the elders preserving history and the young inventing the future is found  everywhere around the world.

In Tibet, the elders want to preserve the ancient culture, monasteries and religious traditions while the young are eager to go to the modern (Chinese) clubs, restaurants and enjoy the wide paved streets.   The younger generation does not understand why tourists only want to see the old part of town and not the new part of town. The cultural divide in Tibet is obvious.

This feature in Poynter Online is thoughtful and revealing of the global question of preserving history or inventing the future but this time in Alaska and the killing of Alaskan caribou.


An Unexpected Perspective of the Opening of the Berlin Wall

November 3, 2009

New York Times columnist Roger Cohen interviews the East German border guard who opened the gates to the west and forever changed the history of Germany, Europe and the end to the Cold War.  As Cohen says in the interview, this could have gone so differently.


Note from Afghanistan: “Make Sure What You are Ridiculing is Not Your Own Beard” by Rameen Javid

November 1, 2009

AchianaRameen Javid, founder of Afghan Communicator, recently sent this note out to the Afghan community worldwide.

“Make sure what you are ridiculing is not your own beard”

With the recent resurgent interest in Afghanistan and complex theories being put forward by an army of self-claimed Afghan experts, whose collective wisdoms seems to lead us into two general categories: academics and on the field experts. With its seemingly acceptable logic, based on already established [sometimes baseless] ‘facts’ and ‘truths’ that have become the latest fashion in the academic circles, academicians describe the theories of a situation. In the case of Afghanistan the usual is it is a landlocked country, Pashtun majority, no empire ever ruled it, xenophobic people and brave fighters.

In the media, the so called experts dispense unquestionable concepts that are magically accepted by all, without much thought to its authenticity. It seems spending three months or less on the ground gives you a license to speak about the complexities of Afghanistan. All other voices are drowned out by these two general sources, as almost everyone seems to be convinced by either one of these sources and do not bother to think of alternatives or the actual truth. Risking self damnation, I dare to reflect.

The Kabul suicide bombing of September 17, 2009 on the airport road killed one of my relatives, Saboor, father of 5 children and the only breadwinner for a housewife mother, elder disabled father, a wife and children, brother who has been unable to work due to medical condition and a sister married to a less fortunate man than himself; so Saboor contributed to her as well. A taxi driver who wanted to earn some more money to have a better Eid, he carried two passengers in the back seat of his Toyota station wagon popularly known assaraacha or courtyard. One of the passengers burned with Saboor and the other may survive, as he was partially shielded by the two men and the car. Saboor’s car was on the opposite side of the street from the suicide bomber. The force of the blast and the heat burned his exposed side to the blast, blowing off half his body along with one of his passengers. One of his arms was later found by his father laying near the car outside. I cannot express the feeling of seeing his remains, the condition of his family and the faith that awaits them. This is real Afghan people suffering!

The blast broke one of my apartment windows, which was about 500 meters away from the blast zone. The official body count was 6 Italian soldiers and 10 Afghan civilians killed. Reaching the site 20 minutes after the blast, many were saying the dead bodies were everywhere both Afghan and foreign, so the figures are downplayed. It does not matter. Like Saboor, so many other innocent by-standards were killed and for what?

True that the ISAF forces are taking losses too but innocent lives are being lost on both sides [foreigners and Afghan civilians] for a strategy that is not clear. What is ISAF/NATO/Coalition forces doing in Afghanistan exactly? What successful strategies have they implemented? What are the milestones after 8 years with those strategies? How do they justify so many lives lost, so much money spent, so much time passed and so many promises unfulfilled? If the strategy is successful then why don’t we see real change? If it is not, why do we keep on following them?

The undeniable truth is that NATO is endangering the very people it wants to save. By living and working in the cities, the military is creating danger to themselves and to the civilian population. For a false sense of security, they have blocked off sections of roads inside Kabul City and around the country, thus making life extremely difficult for the average Afghan. When the NATO convoys pass by, they have jamming devices that kill your communication, they push Afghans off the roads in their own country, they point a gun and laser beam to intimidate civilians from coming near them, as if they own these roads. By living in the cities they use civilians as a human shield but their mandate is to protect Afghans. They both fear the population they are here to protect and use them as sandbags for their own safety.

I am not sure anyone knows what the strategy is or if anyone bothers to check if anyone is following that strategy. There seems to be a general understanding among the media, troops and foreign civilians that things work differently in Afghanistan and thus all of the agreed upon plans/regulations/laws should be laid to rest. No one thinks why the plans don’t work. Frankly, I am not sure anyone cares. Most foreigners are behind high walls and completely indifferent to what is going on outside their compounds. I am not sure if anyone thinks why they are here to begin with.

Things are ran so badly, both by foreigners and some of the Afghans they hire, that one is confused if this is pure ignorance or the West really does not care about Afghanistan? Or perhaps both? The big strategy for the West is to work with leaders and power holders. This works well in the short ran, because to mobilize people, established sources are necessary. However, as the limited few are chocking resources and moreover abusing their power, they are seen as stooges of a West that is evil, careless and two-faced. Eight years of slow progress and regular Afghan civilian causalities drives the message home. As the recent Presidential Election fiasco shows, democracy, human rights, civil society and freedom are a front. Not only people lose interest in rule of law or doing something good for the country, they come to hate the West, democracy, human and women’s rights, civil society and everything else that the West is trying to implement.

There are a great deal of people in the West who wonder why we are not winning the battle for hearts and minds. Not only the West is not winning hearts or minds, but it is failing in almost every aspect of its operation in Afghanistan. On the humanitarian front, PRTs [Provincial Reconstruction Teams] and USAID are throwing money at baseless and mismanaged projects. For example, a PRT decided to build a school for two villages so that the children from both villages can attend the school. There was a disagreement over the location of the school. In their infinite wisdom the PRT team spends hundreds of thousands of dollars to build a school in between both villages so that both can attend. The result was that neither villagers sent their children to school there because it was too far. The school building fell into disrepair and is used by drug addicts. The PRT could spend five thousand dollar in each village to build their own school.

USAID is giving grants to organizations that are active in southern Afghanistan. The grants are for millions of dollar. No one from the USAID dares to visit those places to see if any progress was made. Grantees come back with some story and some pictures and after a year they get another grant for more money to do the same thing. Mostly the grantee does nothing and takes pictures of other buildings or seminars and submits it as their own work. Or the grant is divided between the grant manager and head of the NGO getting the grant. They come up with a way to write a good report and the few connected people get rich while the poor remain unaffected. Last year I interviewed for a position with the USAID, whose Chief of Party bluntly said that they are looking for someone to write favorable reports of the work that the USAID was supposed to do but never did. He was not impressed by my twenty years of public service and the fact that I have relocated to Kabul so that I can help people. “I can think of many positions which I can use you for” he said, “but this is a position with an acquired set of skills”. A couple of months after that interview, reports of USAID mishaps were reported by the media.

Growing up in Afghanistan as a child and then in the US as an adult, we were always thought to hate the communists – a feeling that came naturally. Much to my shock and horror, when I returned back to Kabul after eighteen years abroad in 2002, I saw many pictures of Dr. Najibullah, the former Afghan Communist President who was hanged from a traffic pole in Kabul by the Taliban in September 1996 when they took Kabul. While Afghanistan never had so much wealth in its entire history, Afghans still pine for the communist era. When in disbelief I ask why do they prefer that time, they all agree that there was a discipline back then, there was national identity and nationalism, that there was a respect of individual and that there was respect for law and no one was above the law, not even the President who only owned a five room apartment in the Soviet built district of Micro Rayon. People admire Dr. Najibullah’s leadership, his government, the qualified and civilized public servants, the social justice and equality and the civic culture that everyone enjoyed almost equally.

Witnessing and experiencing so much injustice from 2002 onward, I left my aspirations to become a diplomat and started to work for the fast disappearing Afghan culture. Establishing Afghan Communicator, as an art and culture organization, my colleagues and I focused on the arts of Afghanistan, helping artists. After a three decade war, art was not in the vocabulary of most people. Ancient artifacts were disappearing or being destroyed, the artisan class was extremely thin to none-existence and respect for the arts and culture completely gone. Hoping to not only restore the lost prestige of the artists and the arts, but also to make art part of the reconstruction and everyday life of the people, I started to work with the artists. However, I first had to learn about the arts as it was a new field to me. Through my analysis and research of the arts I found that to make art matter, it must feed people sustainably. Thus I began with a seven city North American tour of Afghan art and films in 2005, selling 80% of the items for exhibition and reviving an interest in the arts.

Then I had an opportunity through the Christiansen Fund to take four Afghan artists to Istanbul Bi-Annual Art Festival later that year. In 2007 I sponsored two Afghan master artists from the US and Canada to come to Afghanistan and share their expertise and experiences as successful artists. I also brought basic art supplies such as digital cameras, paint, canvas, cutting boards, matts, etc based on the artists’ requests. It has been four years that I have been working with the artists directly and trying to support their initiatives and efforts instead of enforcing my vision. I mainly, but not solely, work with large artist centers such as fine arts universities, artist collectives, or master artists with many students. I empower the top leadership and encourage them to share their knowledge and resources with others. For example, if they go to a seminar they should report what they have seen back to their colleagues. This way, one person becomes the window to many others who were not there.

Aside from supporting the efforts of the artists through in-kind donations, I inform them about marketing and provide venues where they can sell their work. To date, I have sold over two hundred thousand dollars worth of art, which is a considerable amount considering the average daily wage is less then one dollar in Afghanistan. The business I bring to these artists centers have attracted a lot more students, have encouraged students and master artists alike to produce more art, be exposed to new ideas and trends and to find sustenance and dignity in their profession. It is both sad and pleasing that I am the only lifeline for these artists. Whenever I remember a certain master artist who lost his young wife to a road accident but was able to save himself and one of his children from death through the sale of his works, it brings me satisfaction to continue my volunteer work for the artists. Still recovering, he moved me when he told me that my assistance has made him believe in his craft and he is eager to get back to work. After months of physical therapy, losing his home and counting on family to take care of him and his two children, he finally was able to buy a house, remarry and produce even better work that is still unrivalled in Afghanistan.

With love for Afghanistan, understanding and respect for people’s needs and very limited resources, I have managed to revive an industry to a certain extent. I am not alone in this, but my work more then feeds people, it revives a lost prestige and a lost profession, it revives the culture of Afghanistan and it brings independence and dignity to people. To those who believe in more troops, more money and more experts, I say to come and see my example and see how easy it is to save Afghanistan. If you empower people who have done something in the past for Afghanistan and who care about Afghanistan and its future, then with limited resources they will change this country. Afghanistan was ran by Afghans for five thousand years, thus the only people who can save this country are those who care for it and have contributed positively for Afghans and Afghanistan in the past.


Truth in Photographs

October 31, 2009

Tara by Keri Douglas ALL RIGHTS COPYRIGHT PROTECTEDPhotography is evidence of the relationship between the photographer and the images in front – either one of cliches or connections.  If the photographer has a connection, the essence of the photographer will show through to the image.

Nicholas Lainez, an anthropologist and photographer, explored South East Asia exploring the world of human trafficking first through the cliche and then ultimately realizing the economic truth of human trafficking.  As his view became more educated, his photographs left the brothels to the farms.  He eventually found that families facing economic hardships were all to pleased to believe that by letting a child go freely or for exchange of money that their child would most certainly have a better future than their modest life.  The eternal philosophical question is present, does money solve all problems in life.  Can one have a rich life in a modest setting?

This morning, the New York Times ran a story reflecting on an image of a young girl in the Bronx and the hard realities of life in the a barren, broken down city scape of the Bronx.  What the photo didn’t capture was the warmth and love of a family.

In my own documentary photographs, having learned an important lesson from Nicholas Lainez, I am all too conscious of capturing a stereotype and more interested in revealing something unique or unexpected in a particular part of the world.

One of my favorite images is the children in a remote area of Tibet, who most likely had never seen blonde hair and a camera. The children were with their mother, who was building a house with other women, one stone at a time. This image popped out on my contact sheet. The young girl embraced the notion of a stranger (me) with a smile and her little brother was more skeptical. What I love about this photograph is the hands of the mother reaching out to the children. There is a full circle of skepticism, warmth and a smile.

Just as one should always consider the source for any news item, consider the source of any photograph. What story is the photographer trying to tell? Is this story the full story or is there more to tell?

By Keri Douglas, writer/photographer, Washington, D.C.

 


Impermanence

October 31, 2009

Impermanence Series by Eleanor Kotlarik Wang

How does one begin to understand the notion of impermanence?  Perhaps the fall leaves, the death of a loved one, the sun rise in the morning … or words of wise spiritual teachers?

In the last weeks, the word ‘impermanence’ has been used by three very different people.   Rabbi Steinlauf used the word ‘impermanence’ when he welcomed everyone into the Sukkha tent built to represent the temporary nature of life and still being willing to live life fully.  A week later in the very same spot stood the Dalai Lama who wished to learn how the Jewish community thrived in exile despite hardships and atrocities.  Then an art gallery opening presented Eleanor Kotlarik Wang, whose collection of paintings titled “Impermanence” captured the faded cave paintings of Buddhists images in western China, the very end of the Silk Road.

At first glimpse, the series seems as though of collection of abstract impressionistic illustrations.  However, trying to understand, walking up close, standing to the left side and then walking away and looking back from the right side, the realization hit.

Eleanor Wang states, “Impermanence. The Buddha images are an attempt to explore the notion of existence –– to see for a moment an object or life force that appears solid and real, yet is in a stage of change and decay from the moment of its creation. This religious and philosophical component of many of the oriental religions initially confused my more western sensibility which tries solidifying experiences and memories. This more fluid approach to the understanding of life is one of the more mysterious responses to my time in China.”

There is no code to understand the symbols, colors or images.  Understanding is just there.  As truth is self evident, so is understanding.  The concept of impermanence and the contradictory nature is brilliantly captured by Eleanor who engages the viewer into a conversation about “what do you really see?”  She explained that just as some of the cave sculptures and paintings in western China are illusions of what they once were and some still as brilliant in color as if they were painted just yesterday.  This contradiction of present yet past is this delicate notion of impermanence.

Eleanor Kotlarik Wang, originally from Pittsburgh, Pennsylvania, has recently returned from living in China.  Her art is in private collections around the world and currently a series of paintings are on display in Hong Kong through the Art in Embassies program.

To view the current exhibit of Eleanor Kotlarick Wang, visit Gallery Plan B in Washington, D.C.  The exhibit will be on display from October 21 to November 22  and is well worth the visit to see the entire collection on display before it, too, disappears to reveal another artist.

By Keri Douglas, writer/photographer, Washington, D.C.

Read more at Ode Magazine Exchange.
Eleanor Kotlarik Wang, her husband and their son